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Réunit les deux ouvrages "Essais sur la mythologie comparée" de 1873 et "Nouvelles études de mythologie" de 1898, où il est possible de découvrir que le soleil, selon M. Müller, était un principe essentiel pour comprendre aussi bien les mythes grecs, que des mythes scandinaves, germaniques ou hindous, perses ou africains.

Mythology --- Mythologie --- 291.13 --- Mythe. Vergelijkende mythologie --- Mythology. --- 291.13 Mythe. Vergelijkende mythologie --- Myths --- Legends --- Religion --- Religions --- Folklore --- Gods --- Myth --- Comparative religion --- mythology [literary genre] --- Mythologie comparée. --- Moeurs et coutumes. --- Manners and customs. --- Comparative studies

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The fourteen essays that comprise this volume concentrate on festival iconography, the visual and written languages, including ephemeral and permanent structures, costume, dramatic performance, inscriptions and published festival books that 'voiced' the social, political and cultural messages incorporated in processional entries in the countries of Early Modern Europe. The volume also includes a transcript of the newly-discovered Register of Lionardo di Zanobi Bartholini, a Florentine merchant, which sets out in detail the expenses for each worker for the possesso (or Entry) of Pope Leo X to Rome in April 1513

joyous entry --- triumphs --- History of civilization --- anno 1600-1699 --- anno 1500-1599 --- Europe --- Ceremonial entries --- Processions --- Rites and ceremonies --- Royal visitors --- Power (Social sciences) --- History --- History. --- Social life and customs. --- Entrées (cérémonies) --- Pouvoir (sciences sociales) --- Rites et cérémonies --- Histoire --- Moeurs et coutumes --- Ceremonial entries. --- Processions. --- Europe. --- Histoire. --- Moeurs et coutumes. --- Ceremonial entries - Europe - History --- Processions - Europe - History --- Rites and ceremonies - Europe - History --- Royal visitors - Europe - History --- Power (Social sciences) - Europe - History. --- Europe - Social life and customs.

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Une présentation à contre-courant de Rome au XVIIe siècle à travers 70 oeuvres créées par des artistes italiens, français, hollandais, flamands et espagnols, montrant l'envers du décor, la Rome grossière et commune. ©Electre 2015

Sociology of culture --- Baroque --- Art styles --- anno 1600-1699 --- Rome --- Vices in art --- Skid row --- Painting, Modern --- Painting, Baroque --- Vices dans l'art --- Quartiers malfamés --- Peinture --- Peinture baroque --- Exhibitions --- History --- Expositions --- Histoire --- Rome (Italy) --- Rome (Italie) --- Social life and customs --- Exibitions --- In art --- Moeurs et coutumes --- Dans l'art --- Quartiers malfamés --- Exibitions.

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It was not unusual during the Renaissance for cooks to torture animals before slaughtering them in order to render the meat more tender, for women to use needlepoint to cover up their misconduct and prove their obedience, and for people to cover the walls of their own homes with graffiti.Items and activities as familiar as mirrors, books, horses, everyday speech, money, laundry baskets, graffiti, embroidery, and food preparation look decidedly less familiar when seen through the eyes of Renaissance men and women. In Renaissance Culture and the Everyday, such scholars as Judith Brown, Frances Dolan, Richard Helgerson, Debora Shuger, Don Wayne, and Stephanie Jed illuminate the sometimes surprising issues at stake in just such common matters of everyday life during the Renaissance in England and on the Continent.Organized around the categories of materiality, women, and transgression—and constantly crossing these categories—the book promotes and challenges readers' thinking of the everyday. While not ignoring the aristocratic, it foregrounds the common person, the marginal, and the domestic even as it presents the unusual details of their existence. What results is an expansive, variegated, and sometimes even contradictory vision in which the strange becomes not alien but a defining mark of everyday life.

dagelijks leven --- Renaissance --- History --- anno 1500-1799 --- anno 1500-1599 --- Renaissance. --- England --- Europe --- Angleterre --- Social life and customs --- Social life and customs. --- Moeurs et coutumes --- 16th century --- 17th century --- Revival of letters --- Civilization --- History, Modern --- Civilization, Medieval --- Civilization, Modern --- Humanism --- Middle Ages

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What does it mean to write a history of the night? Evening's Empire is a fascinating study of the myriad ways in which early modern people understood, experienced, and transformed the night. Using diaries, letters, and legal records together with representations of the night in early modern religion, literature and art, Craig Koslofsky opens up an entirely new perspective on early modern Europe. He shows how princes, courtiers, burghers and common people 'nocturnalized' political expression, the public sphere and the use of daily time. Fear of the night was now mingled with improved opportunities for labour and leisure: the modern night was beginning to assume its characteristic shape. Evening's Empire takes the evocative history of the night into early modern politics, culture and society, revealing its importance to key themes from witchcraft, piety, and gender to colonization, race, and the Enlightenment.

Night. --- Night --- Nightlife --- Nuit --- Vie nocturne --- History of civilization --- anno 1600-1699 --- anno 1500-1599 --- Europe --- Social aspects --- Social life and customs. --- History --- Aspect social --- Moeurs et coutumes --- Histoire --- Arts and Humanities --- Night life --- Amusements --- Manners and customs --- Day --- Time --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- Conditions sociales --- Civilisation --- 1492-1789 --- 16e siècle --- 17e siècle